Apple Netwon

I drew this for Stumptown Underground's upcoming anthology with the theme of SCIENCE:

Heat Rises

Boy oh boy did it feel good to draw something other than Savage Nobles in the Land of Enchantment, I can't even begin to tell ya. This comic is for the "Summer" issue of Stumptown Underground and draws heavily on my own personal experience living in Brooklyn 4th-floor walk-up apartment during the summer of 2007.

Following the lead of Benjamin Dewey, here are my thumbnails (more like toenails!) for those of you interested in my, ahem, process. A big, special thanks to everyone at Barry Deutch's Graphic Writers' Workgroup for looking these over. They gave me the idea to add the scent-lines on page one, and the idea to make the protagonist black. Guys, if you read this and notice I didn't take your other suggestions, it's not because they were bad! It's because I'm stubborn!

Aside from personal experience, my main inspiration for this comic was Will Eisner, the man who evoked New York City, in all its glitz and gristle, better than any cartoonist ever has or ever will. Eisner's short-story anthology, "New York: The Big City" undoubtedly did more to get me into comics than any other book. Will Eisner also drew the world's most beautiful picture of a pile of uncollected garbage. Look at this:

Without any irony, I can call that beautiful. I can only dream of one day handling graywash the way Eisner did.

To close things out, here's my number one summer jam. There are a lot of songs that remind me of summer in New York City (i.e. pretty much any track on Sublime's self-titled album, a perennial campus favorite on the first warm day of the year), but this song by is actually about summer in New York City! Read my comic again while listening to this!

Eskimo Breakup

I had to take a break from my Years of Rice and Salt illustrations because I was falling waaaay behind on Savage Nobles in the Land of Enchantment, which is still my #1 drawing priority, at least for another 35 pages, damn it all.

This heartwrenching spread is for the upcoming issue of Stumptown Underground, with the extremely unfortunate theme of "breakups." Pick it up at a comic store near you and enjoy more mopey, Craig Thomson-y navel-gazing than anybody ever thought you'd need. Then buck the hell up and draw something for April's issue, which will be about "friendship," thank goodness.

And just in case you want to still believe in love, check out the hot lip-lockin' action in today's installment of "SNitLoE." Looks like Theo's found the universal language, ho ho!

See you soon with more art!

The Misadventures of Herschel Pachman

That's right, the ghosts are Klansmen! How's that for dark?

I pencilled these pages in a burst of New-Yearsy determination two weekends ago during a visit from Vancouver cartoonists Wei Li and Vanessa Kelly, two people who don't mind if you look down while you talk to them (my kinda people!). I let the comic languish uninked until today, when I was home from work with a seriously nasty cold.

I'll be submitting "The Misadventures of Herschel Pachman" to the video-game-themed February issue of Stumptown Underground.

I have a few friends and acquaintances who draw lots of video game characters or vg-related art, and I'm pretty much in awe of what they do. Drawing only these four pages has convinced me that I probably do not have what it takes to do justice to the intricate designs of these types of characters. I really phoned it in on Sonic the Hedgehog, and only got away with the guy from "Dig Dug" (in the breadline behind Zelda's Link) because that character is so pixellated already that nobody seems to know or care what he actually looks like - I certainly don't. But otherwise, I'm actually quite pleased with how this comic turned out!

Religious "Auto-Bio" Comic

The theme for December's issue of Stumptown Underground is "Religion & Spirituality." Though I have spilled a fair amount of ink in my graphic novel so far regarding these topics (and will spill even more before it's done), a lot of SNitLoE's religious material is theoretical commentary told through allegorical characters. But for this little comic, I decided to do something unusual (for me) and write more in the Stumptown spirit of revelatory auto-bio. And if other zinesters and comic artists can write so frankly about their intimate experiences with family, sex, food, having sex with food, eating their families, etc., then I can certainly tell a little story about my own faith.

Hopefully that speaks for itself, but I feel I should add one thing: This comic is very unfair to St. Teresa of Avila, who was definitely experienced in painful doubt and "the long dark night of the soul" (an expression, incidentally, which comes from the title of a poem by another 16th-century Spaniard, St. John of the Cross.) Really, the whole "the past = faith; modernity = doubt" shtick is incredibly disingenuous on my part, as I know very well it's not that simple at all. As usual, I think it's Slavoj Zizek who sums it best in this short video:




I quoted Mother Teresa's anxious letter, but I might just as well have quoted the earlier Teresa, who wrote:


"As to the aridity you are suffering from, it seems to me our Lord is treating you like someone He considers strong: He wants to test you and see if you love Him as much at times of aridity as when He sends you consolations. I think this is a very great favor for God to show you."


Again with the aridity! The desert metaphors come fast and furious.

Portrait of the Artist When He Isn't There

Just in case you were wondering how it all came together.

Enough of this! This weekend I'll hopefully have new drawings of actual people.

Surprise!

This is my submission for Stumptown Undeground's birthday-themed first anniversary issue. Even if it doesn't get accepted (I wouldn't blame them), I'm going to include it in a planned zine anthology I'll be putting together for the Portland Zine Symposium. Together with my story Laundryman, the illustrated poem Cockaygne, and maybe some new original stuff, I think I've got a nice 12-pager about being yanked out of a fantasy comfort zone into dingy, corporeal reality.

The Land of Cokaygne

Imagine my surprise when Anu Garg's Word of the Day today was "Cockaigne!" I've spent this week and the better part of last working on an awesome 4-page comic based on an anonymous 14th century poem about said mystical land of earthly pleasures. See below!






This is for Stumptown Underground's June issue, which has the theme of "myth/folk tales/fairy tales." If this submission don't get accepted, I'll eat my hat! I really busted my patootie on this one.

Back in 2005-2006, when I was a senior at Columbia University, I attempted to write a thesis paper on the poetry of the Goliards, semi-mythical wandering, drunken scholars of the later middle ages, probably best known from the Carmina Burana. I even learned medieval Latin so I could read their doggerel in the original! But no thesis came of it, and maybe from this comic you can see why. It's just a bunch of crazy nonsense! I lost credit from the course and almost didn't graduate :-(

The text of the poetry portion of the comic was freely edited by me based on the original Middle English and two modern translations, all available here. (WARNING: The sex in the original poem is much less consensual than what I've depicted here. Even so, I recommend you give it a read, as there are many beautiful and hilarious parts I had to leave out of the comic for space considerations.)

Relativity

My goal is to post something here every day. I'm very late today, but it's still Wednesday on the West Coast. I've been working on this all week and it's finally ready to post:





I did this two-page comic for Steve Fuson (sorry, no website), a writer (and I think artist?) here in Portland whom I met at some random comics get-together. We're submitting it to the zine Stumptown Underground for their "Family"-themed issue coming up in May. I'm pretty confident we'll make the cut, as Steve has been featured in I think every single issue of Stumptown Underground so far.

Steve gave me a good script to work with - very little stage direction aside from dialogue and a camera-angle recommendation for the penultimate panel. If I had one complaint, there is a little too much material on the second page compared to the first, and it's unfortunate that the break in time after David picks Avery up from jail doesn't occur across a page break. Oh well, I don't see away around it and apparently neither did Steve. A two page story is fun for both the writer and artist - you have to get so much information across right away if you are gonna have any chance of telling a complete story.

My big focus for these two pages was "spotting blacks." This is the illustration technique of choosing where to put the large black areas 1.) to direct the reader's eye and 2.) to give form to the objects, suggest light-sources, etc. Even though it's all over the best comics (especially the old black and white ones), it's a frightfully artificial technique.

Think about it. Virtually nothing you see in real life during the daytime is truly jet black, and certainly not shadows, which are generally just a darker shade of whatever color they are falling across, maybe a little more bluish if the light is coming from the sky. When I look at even the best spotted blacks for too long, the scenes start to look as though they were lit by a floodlight on a planet with no atmosphere. But then my eyes pop back into place and I resume my awe of people like Periscope's Jonathan Case, whom I have literally seen color the shaded side of the white sail of a white sailboat on the beach at noon PITCH BLACK and get away with it beautifully. Everyone should buy his forthcoming novel "Dear Creature" (formerly "Sea Freak") if they want to see the true extent of what can be done with these two colors.